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Assignment Five: Presentation of ‘Lifting the Curtain’

I agreed with Sharon my tutor that I would prepare a scope of work for my final YOP assignment which will be about presentation of my work, Lifting the Curtain. On the subject of presentation, I was...

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Lifting the Curtain – Initial assessment of various forms of presentation

Lifting the Curtain – Forms of Presentation © Keith Greenough 2014 As a first step towards designing the form or forms of presentation I plan to use for Lifting the Curtain I have made a preliminary...

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Lifting the Curtain – maps and references for book

The Booth archive at London School of Economics have given me permission to publish copies of their maps in my book and to use the maps for exhibitions (with a suitable credit of course). I have been...

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Lifting the Curtain Book – Version Five

The latest version of a possible book format for ‘Lifting the Curtain’ is attached to this post. Just click on the cover image or underlined below to see the book in pdf format. It is best viewed in...

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LIfting the Curtain – print sizing and organisation of image and text

In my previous post here I indicated that the principle forms of presentation that I will use are a book and an exhibition of prints. This post discusses questions about the nature of prints I would...

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Karen Knorr Exhibition Tate Britain – December 2014

I have studied Karen Knorr’s work, particularly her Belgravia 1979-1981 and  Gentlemen 1981-1983 series and have cited her as one of my influences see here. It is very fortuitous that she currently has...

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Presentation Strategy ‘Lifting the Curtain’

I am in the process of documenting my ideas for presenting ‘Lifting the Curtain’. My aim is to present my proposals to my tutor as Assignment Five for the Your Own Portfolio course. My submission for...

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Hiroshi Sugimoto – Still Life @ Pace Gallery, London

I had a chance to make a brief visit to the Sugimoto ‘Still Life’ exhibition at the Pace Gallery in London today. It was most impressive. I have seen three Sugimoto exhibitions now—his...

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